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  <title>Sin City at Festival de Cannes (2005) - Frank Miller's Sin City - tribe.net</title>
  <link rel="alternate" href="http://frankmillerssincity.tribe.net/thread/6b0209dd-843b-47a2-905f-394ce902156a?format=atom" />
  <subtitle>Tribe.net. Local Connections</subtitle>
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    <title>Sin City at Festival de Cannes (2005)</title>
    <link rel="alternate" href="http://frankmillerssincity.tribe.net/thread/6b0209dd-843b-47a2-905f-394ce902156a#20b1b96e-cffd-4e89-a69f-fc78f5d2b200" />
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    <id>http://frankmillerssincity.tribe.net/thread/6b0209dd-843b-47a2-905f-394ce902156a#20b1b96e-cffd-4e89-a69f-fc78f5d2b200</id>
    <updated>2005-05-18T14:16:08Z</updated>
    <published>2005-05-18T14:16:08Z</published>
    <summary type="html">In Competition: "Sin City" by Robert Rodriguez and Frank Miller&#xD;
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http://www.festival-cannes.fr/films/fiche_film.php?langue=6002&amp;amp;id_film=4278140&#xD;
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For the first time in his career, Robert Rodriguez has come to the Cannes Festival to present a film. Vying for a Palme d'Or, Sin City is an adaptation of the Frank Miller's graphic novel, with a cast including such stars as Bruce Willis, Benicio Del Toro, Elijah Wood, Michael Madsen, Mickey Rourke, Clive Owen, Jessica Alba, and Brittany Murphy. Robert Miller has credited the comic-book author Frank Miller as co-director; Quentin Tarantino, who directed a portion of the film, also receives this billing.&#xD;
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Robert Rodriguez films three stories involving three people who are lost in the chaos of a murky metropolis called Sin City: Hartigan, an elderly police officer who has sworn to protect Nancy, a stripper; Marv, a brutal but philosophical social outcast, determined to avenge the death of Goldie, the love of his life; and lastly, Dwight, who is employed by Jackie Boy, a violent cop who pimps on the side, to guard his hookers. Some of Sin City's denizens thirst for revenge; others are seeking salvation.&#xD;
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"Reading [Miller's] books, I found fantastic images," Robert Rodriguez enthuses. I liked the fact that the dialogue didn't sound like film dialogue, that the visuals didn't look like anything you could see in a film. It was more unpredictable than any other screenplay. I wanted to bring Frank's vision to the screen exactly as it was. I didn't want to make Robert Rodriguez's Sin City but Frank Miller's! I knew that with the technology I'd already learned how to use, doing the lighting, photography, and visual effects would be possible."&#xD;
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source:&#xD;
http://www.festival-cannes.fr/films/fiche_film.php?langue=6002&amp;amp;id_film=4278140</summary>
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    <dc:date>2005-05-18T14:16:08Z</dc:date>
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